Vettaikaran Tamil Movie Review And Watch Online

For those, who were down in the mouth about Vijay's previous films, you've nothing special in Vijay's 'Vettaikaran'. But, it's slightly average than his previous flicks - 'Kuruvi' and 'Villu'. Possibly, you would be curious to know whether Vijay has imitated anything from Telugu actor Mahesh Babu. Of course, he has aped certain style of uttering dialogues as the same way he does. Indeed, there's a particular shot of breaking a pillar stone just in bare hands (Mahesh Babu in 'Athadu').

The film's synopsis isn't substantial as it offers reminiscences of Vijay previous films 'Tirupatchi', 'Bhagavathy' and few of that sort. Babu Sivan seems to have collected the scenes of other films made by his mentors Dharani and Perarasu.

Set in backdrops of Tuticorin, Ravi (Vijay) is a happy-go-lucky youngster, who adores Devraj IPS as his role model and aspires to be a cop like him. But then, he has passed his 12th Std exams even after 3 attempts. Luckily, he's done with the pending subjects with successful grade on the next attempt and flees to Chennai to join a college and fulfill his dream.

Vividly inspired by Devraj IPS, Ravi earns his livelihood by driving auto after his college hours. He is still dreaming about his dream angel Susheela (Anushka) he met her over the train while journeying from Tuticorin to Chennai and later meets her again. Everything is fine for Ravi until he comes across a troublesome Chella, son a roughneck Vedanayagam (Salim Ghosh), who has control over entire Chennai.

Clashes do takes place between Ravi and the baddies and there we have a shocking fact about Devraj IPS, who has lost his career, eyesight and his family because of Vedanayagam.

Now, Ravi vows to overthrow the realms of baddies and starts striking with his fists of actions that move in a much cliched way.

Vijay has come up delivering his earnest efforts for better results. It's surprising to see that the first half doesn't has any stunt sequences or punch dialogues (until pre-interval fight), but the latter part is so overdosed with these elements. There are more traces of 'Bhagavathy' of Vijay taking law into his hands with his group of friends to bring down Vedanayagam and co. Anushka, the bootylicious missy offers a great show of glamorous treat and she dances extremely well.

Salim Ghosh does justice to his role with his dialogue delivery and makeover. There aren't any specified comedians in the film and Vijay scores brownie points on these quotients. The person enacting the role of Devraj IPS requires special mention, though he reminds off Nasser in Dharani’s ‘Dhill’ (the same characterization of a cop affected by baddies).

Technically, the camerawork and editing disappoints you as the technicians have been repeating the same shots and angle placements as in previous Vijay's films. Vijay Antony's musical score adds more strength to the film and placement of songs are perfect. But, some of his background score reminds us off 'Tirupatchi'. 'Oru Chinna Thamarai' and 'Uchimandaiyla' are sure to be grand treats for those who expect a lot from Vijay’s dance.

Babu Sivan has crafted an entertaining first half (90mins) that is so racy and you won't feel the long duration. But the second half (75mins) is neatly tailored with cliched moments of hero offending villain, villain bumping of hero's friend and finally settling the scores. The climax sequence of Salim Ghosh's death has been done innovatively where the hero remains just as a propeller.

Finally, it's a not-good-not-bad situation when it comes about marking verdicts for 'Vettaikaran'. If Babu Sivan had well-crafted the screenplay in second half, then this film would have been an excellent entertainer. But overdosed stunts and loud dialogues act as a spoiler for the laudable presentation in first half.

With Sun Pictures involved vigorous promotions, the film has probabilities of becoming a top-drawer at box office.


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Bharya Onnu Makkal Munnu Malayalam Movie Review And Watch Online

Films have become so specialized these days. Children revels Pattanathil Bhootham, Youth basks Puthiya Mugham, Elder men queues for Bramaram and women enjoys Bharya Onnu Makkal Moonnu.

The story goes like this :
Rajasenan, the son of an IG, was forced to leave family as to marry his sweet heart who is from another religion and also from a poor family. Even after having three children his father doesn’t call him back. His brother Rahman who runs the family business also is fed up with his father’s autocracy.

Hero’s wife (Sithara) who had a block in heart was subjected to an open heart surgery. Having no money our hero took big amounts at high interest from loan sharks. Thus he gets into severe financial quagmire. What he does to get out of fiscal struggle and how the family unites steers the plot.

Viewers seem to like Rajasenan as actor and he has successfully portrayed the decent family man. Will he be able to act in a different way, can be watched in his upcoming film.

Sithara is cool and the three young artists as son and daughters have done their best. The actor who plays father of hero is good. Rahman and Sindhu Menon are ok. Indrans and Jagathy give comic relief towards the middle of feature.

Rajasenan tried to show the perfect family and end up showing a bunch of unnatural characters traveling in an unrealistic plain. Some situations are below average and challenge the wit of an average malayali, who has grown up watching critically acclaimed films. The scene in which the protagonist tries to become a broker has to be viewed to realize its imbecility. The scene of selling chain is as old as Lumier Brothers. Apart from resemblances with Bharatham many scenes are plastic.

In Background and songs erstwhile music were used. Problems with directing are visible. Blocking of scene can be better left unsaid. The filmmaking and story doesn’t seem to fit to the year 2009.

The film’s high point is its climax which greatly appeals to female audience. If good promotions are followed, the film can breakeven easily.


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Alvin and the Chipmunks The Squeakquel English Movie Review And Watch Online

In a year that brought us Coraline, Where the Wild Things Are, Cloudy with a Chance of Meatballs, Princess and the Frog, and Up, how can you justify the existence of Alvin and the Chipmunks: The Squeakquel as anything less than a mind-numbingly generic brand-name cash grab? It's a shame too, because I honestly like the Chipmunks -- or maybe I liked the Chipmunks. It has been almost twenty-five years since I watched them on television (and in their first feature film, The Chipmunk Adventure). Were they always this boring?

Forcing the Chipmunks to attend an average high school after a taste of rock and roll superstardom could've made for a pretty decent fish-out-of-water comedy (munk-out-of-tree comedy?), but that potential is wasted in favor of an uninspired battle of the bands story, pitting our boys against an all-girl group of chipmunks called the Chipettes. The girls, who are also huge Alvin and the Chipmunks fans, have been taken in by a huckster ex-record exec played by David Cross (giving a startlingly self-aware performance), who favors the "sexiest" Chipette Brittany over bespectacled Jeanette and BBC (Big Beautiful Chipmunk) Eleanor. It's sorta-kinda affecting their overall sisterhood, and that's about as big of a conflict as you're going to get in The Squeakquel.

Jason Lee (as Chipmunk manager-cum-surrogate-father Dave Seville) acquits himself of all this junk by getting injured in the first five minutes of the film (spoiler!), fulfilling whatever contractual obligation he was under and turning the reins over to his fellow NBC sitcom colleague Zachary Levi. Personally, I found all six bleating, auto-tuned computer-generated rodents more believable than Levi playing cousin Toby Seville, a former high school nerd turned jobless video-gaming slacker. Levi's lazy character also completely ruins the dynamic of the group, robbing the rambunctious boys of a beleaguered straight man to play off of, in turn robbing them of one of the very things that makes the Chipmunks work.

Will kids even notice? I think so. While there are plenty of butt-related jokes to make the tykes feel like they're watching something a little edgy (and they're not, trust me -- these butt jokes are totally safe for PG), there's not enough imagination or cleverness for anyone to grab on to, no matter the age. At best, The Squeakquel is a ninety-minute diversion with likeable cartoon characters (Theodore is still my favorite after all these years), but its faux-hipness is wasted on very young children and already glaringly uncool to slightly older ones.

Also wasted is the celebrity voice cast. I'm not sure why you'd hire Christina Applegate, Anna Faris, and Amy Poehler -- all talented comic actors -- to play the Chipettes, then pitch their voices to the point of being unrecognizable and give them nothing funny to say or do. The boys fare a little better by at least having distinct personalities -- something the Chipettes aren't given in this film. (Along with clothes. There are several weirdly uncomfortable scenes where the Chipettes are totally naked. If you're going to put clothes on the Chipmunks, common decency dictates that clothes should be required for the girls as well.)

Director Betty Thomas brings nothing to the table but a steadfast commitment to doing everything half-baked. The Squeakquel is littered with effects work just passable enough to get the job done, short-shrifted pop musical numbers, and aggressively toothless comedy. I was glad to see the boys again, but not in something this dull. Alvin and the Chipmunks: The Squeakquel is sqweak.


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Yogi Tamil Movie Review And Watch Online

First things first, Yogi is an exact copycat of Gavin Hood’s Tsotsi –a film that won 11 International awards including Academy Awards for Best Foreign Language -2006. The film won rave reviews across the globe and has been included in the list of 100 best world cinemas. Now the biggest question is that how come Ameer could just plagiarize the film with ease, not even marking the credit.
Well, filmmakers like Ameer keep criticizing the commercial filmmakers showcasing their self-aggrandizing nature. So, they just watch the film’s DVD and add some modifications to suit the tastes of Tamil audiences.

Yogi in no way engrosses the audience, even those who haven’t watched Tsotsi…. Preferably, let’s not turn this review into a sort of comparison between the two versions.

The film centers of a ruthful middle-aged ruffian Yogi (Ameer), who does anything for money- Hit the victims or just slit their throats within fraction of seconds– these things don’t mean anything to Yogi and his gang. Wedged between extreme poverty and memories of his pathetic childhood, Yogi has other side as well, a good human (it’s illustrious with playfulness with snake and rats living in his house). One day, he ends up robbing a car and finds a baby on the back seat. Brimmed with immense sympathy, Yogi takes the baby to his house. Apparently, his care and affection for the child grows more and more. Now yogi must confront between the violent life he had lead so far and revive himself. But things aren’t going to happen, as he wanted to be.

On the performance level, Ameer turns to be the frontrunner proving of his proficient approach. He emotes well to various situations: Be the sequence where he shakes legs for the Rajnikanth’s Oru Koodai Sunlight or the climax sequence, he excels with perfection. But regrettably, he doesn’t fit the space of fighting like a young lad and Ameer should’ve avoided such stunts (especially the one in first half). How come a rough goon, dances happily with his gang members in the first song and not even share a smile with them throughout the film. Madhu Mita does a good job and possibly, this could be one best show in her entire career. Swathi doesn’t get enough footage while Vincent Ashokan is okay. Lyric writer Snegan tries to project him as a great actor, but fails terribly.

The screenplay is so flimsy filled with unwanted sequences. The first 20mins of song and fight sequence is completely unwanted. Director Subramaniam Siva could’ve just dropped straight into the film, right on the 15th min of beginning. As well, the flashback scenes could’ve been trimmed, as the second half seems to be quite lengthy. But, Siva has splendidly established the characterizations of Vincent Ashokan and Swathi on the cause of their marriage.

To be precise, if the film was made within the duration of 120mins, then it would’ve turned to be a passable show. But with a running length 2hrs.45mins, one would really lose their patience.

Musical score by Yuvan Shankar Raja is fine and especially his background score enhances the depth of few scenes. Cinematography is good and editing has been carried out well with stylishness.

On the whole, Yogi doesn’t deserve a watch for its weak screenplay and unappealing quotients.

At the box office, the film doesn’t have probabilities of surviving more than a week.


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3 Idiots Hindi Movie Review And Watch Online

Going home after watching 3 Idiots I felt like I'd just been to my favorite restaurant only to be a tad under-whelmed by their signature dish. It was a satisfying meal, don't get me wrong, but not the best meal I'd been expecting.

3 Idiots, starring Aamir Khan, produced by Vidhu Vinod Chopra, and written and directed by Rajkumar Hirani, is a film of impeccable pedigree. It's a breezy entertainer and it's got its heart in the right place, but it appears to be lacking in the naiive idealism and old-fashioned sincerity that propelled Hirani's two Munnabhai films to cult status.

Loosely based on Chetan Bhagat's pulpy bestseller Five Point Someone, 3 Idiots takes light-hearted but pointed jabs at the Indian education system, raising pertinent questions about the relevance of learning by rote, the obsession with high grades, and the dangerous repercussions of parental pressure to pursue traditional streams.

Set on an engineering campus in Delhi modeled after the IIT, the film features Aamir Khan as free-spirited student Rancho who dishes out important life lessons to his roommates Farhan and Raju (played by R Madhavan and Sharman Joshi), even as Naziesque campus director Viru Sahastrabuddhe (played by Boman Irani) clashes with him for brazenly rejecting conventional wisdom.

Rancho, as it turns out, can do just about anything. From empowering Farhan to convince his family he wants to be a photographer not an engineer, to nursing another friend back to health after a failed suicide attempt, Rancho even helps an unsuspecting girl open her eyes to the superficial jerk she's about to marry, and believe it or not, at one point he even delivers a baby on the college ping-pong table following instructions from a doctor on webcam.

But soon after teaching them these valuable lessons and touching their lives in some way or the other, Rancho vanishes. The film is told mostly in flashback, with Farhan and Raju setting off to find their buddy a few years later.

And because no Hindi film can be complete without a romance, Hirani and his co-writer Abhijat Joshi also manage to squeeze in a love track between Rancho and the college director's daughter Pia (played by Kareena Kapoor).

The film's first half breezes by effortlessly between Hirani's trademark comic flourishes including a hilarious ragging scene, two witty confrontations with teachers, and even an uproarious Farrelly Brothers-style gag involving a rolling pin and a paralysed man. Expectedly, the humor is alternated with moments of poignancy like that delicate scene in which the group first discovers a fellow student's suicide.

Problem is, the genuine lump-in-your-throat moments are few and far between, the screenplay populated instead by a batch of scenes calling for push-button emotions. Where the Munnabhai films cunningly tricked you into shedding an unexpected tear, 3 Idiots goes for full-throttle melodrama.

The film's second half in particular, is a tiring mess of ridiculous back-stories, convenient coincidences and sappy sentimentality.

Despite these hiccups, the film still works to a fair extent because of the inherent optimism in the plot and the sheer good-naturedness of its characters. It's hard to resist Rancho's cheery "All izz well" chant even if Hirani does push it a little too far when he ties it to a baby's first in-womb kick, and the scene I mentioned earlier involving a delivery on a ping-pong table.

Of the cast, Sharman Joshi has a meatier role than R Madhavan, hence succeeds in fleshing him out more competently. Kareena Kapoor makes her presence felt despite the small role, and Boman Irani - although he's trapped in a caricature - inspires hearty laughs.

But for me, the performance that stood out in this film belongs to lesser-known LA-based actor Omi Vaidya who stars as the Hindi-challenged Chatur Ramalingam, who deserves credit for turning an old childish gag into what is one of the film's funniest scenes on the strength of his pitch-perfect expressions and delivery.

And then of course, there's Aamir Khan as Rancho. Who never quite passes off as a 20-something-year-old, but remains the heart and soul of 3 Idiots with his spot-on comedy, his measured histrionics, and his immense likeability.

The film, in the end, is a broad entertainer that plays to the gallery, well-intentioned but sadly muddled. However it's warmer than any other comedy this year - think Ajab Prem Ki Ghazab Kahani, All The Best or De Dana Dan - and hence it's unquestionably an enjoyable watch.

From the man behind those decade-defining Munnabhai films, however, it is far from his best work. I'm going with three out of five for director Rajkumar Hirani's 3 Idiots, an earnest but calculated effort that runs, but never flies. Watch it anyway, because it's the season to be jolly, and good laughs are guaranteed.

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Renigunta Tamil Movie Review And Watch Online

It appears this may well be the Golden age in the history of Tamil cinema in terms of a rapid increase in realistic, sensible films being made. In the midst of today's ultra-modern magnum opuses from India and abroad, look at the list of recent realistic Tamil films: Subramaniapuram, Saroja, Vaaranam Aayiram, Poo, Abhiyum Naanum, Vennila Kabadi Kuzhu, Naan Kadavul, TN 07 AL 4777, Yavarum Nalam, Pasanga, Naadodigal, Gnabagangal, Sindhanai Sei, Eeram, Unnaipol Oruvan etc. All these were highly-acclaimed, not just because they narrated fresh stories, but were so naturalistic that even an average cinemagoer could feel the intensity of human experiences, be it positive or negative. Renigunta, director Panneerselvam's latest, made with newcomers including producer S.S. Chakravarthy's son Johnny as hero, is one such outstanding film which leaves a great impact on viewers. Once you come out of the theatre, you would surely believe that the "to live or not to live" episodes in Renigunta should never happen to you. So go and watch Renigunta, but leave your small kids at home. (Renigunta is 'A' certified.)

The story goes like this: Sakthi is a happy-go-lucky guy, but his father Sethupathi, a clerk, has great dreams that his son should become a successful engineer. Realizing Sakthi's inability to be outstanding in studies due to his limited brainpower, his father stops compelling him to become an engineer; rather, he inspires him to choose any vocation he can shine in! Sakthi's peaceful family life suddenly vanishes when his parents are brutally murdered (in front of him and an apathetic public) by Kathir, prime accused of a murder case in which Sakthi's father was a key eyewitness. Broken up by the painful and tragic loss of his loving parents, Sakthi decides to take revenge, but in vain. He is caught in his murder attempt due to his inexperience and remanded for 14 days.

Due to his shy nature, Sakthi has to undergo severe harassments from the jail guards, where he meets four young, inborn criminals including lame Dabba and fat guy Pandu. He becomes friendly with them only to avoid torment from the jailers. Sakthi has no plans to join the group, but at the same time, is greatly attracted by their love and concerns. The four guys plan to escape from jail; at the last moment, they forcibly take Sakthi to the world of freedom and gradually introduce him to a criminal life.

In flashback, the guys come to know about Sakthi's past and decide to kill Kathir. After executing Kathir, the five friends take a train to Mumbai to avoid the police special force, but fate leads them to a local don in Renigunta (near Tirupati, Andhra Pradesh). In Renigunta, Sakthi meets a dumb girl and love slowly blossoms between them. In fact, the girl's brother-in-law is a pimp, procuring for his own wife. Realizing her husband's intention to introduce her dumb sister into the fresh trade, the akka requests Sakthi to elope with her younger sister. With the consent his friends, Sakthi fixes a date to leave the place with his lover.

Meanwhile, the local don hires these five friends to kill a prominent contractor, leading to a big twist in the whole story. The murder attempt fails; Pandu is beaten to death on the spot by contractor's security guards. The special force swoops down on the rest of the teammates who are brutally killed one by one, except for Sakthi. Whether he manages to escape from the police and accomplish his dream of a peaceful life with his lover forms the rest of the film.

One can't say that Renigunta only has bloody violence; it also has plenty of (black) comedy, romance and sentiments, and all components are convincingly presented just as in Subramaniapuram. Thanks to director Panneerselvam, Renigunta is completely free from any sort of exaggeration, be it in graphics, number of songs, length and "superman effects" of the fight scenes. All credit goes to Panneerselvam's clean script, the highlight of the film, which gives everything in the right proportion. In short, Renigunta simply rocks!

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Bumper Offer Telugu Movie Review And Watch Online

Vaishno Academy launched by Puri Jagannath had brought out several successful films. However, the successful director, who has given life to many artistes and technicians, has failed to promote his brother Sairam Shankar as hero. In order to fulfill his wish, Puri penned a mass-oriented subject and personally penned the dialogues to give it adequate punch. One his protégés Jaya Ravindra has directed the film, Bumper Offer.

Sai (Sairam Shankar) completes his education and wastes his time. He refuses to marry as her mother Ramanamma (Kovai Sarala) wanted to put some responsibility on him. Sai’s father Rao is a clerk with a real estate firm run by Surya Prakash (Sayaji Shinde).

Once, Surya Prakash’s daughter Aiswarya (Bindu Madhav) breaks the leg of Sai mistaking him to be someone who tried to tease her. This makes him lose his heart to Aiswarya. After a few turn of events, Aiswarya too falls flat for Sai. But this irks Surya Prakash who tried to thrash both Rao and Sai black and blue. Aiswarya reaches the spot and warns that she would shoot herself if any harm is done to them.

Surya Prakash budges to the situation and gives an offer to Sai to earn at least five per cent value of his assets and marry Aiswarya. But the latter refuses the offer saying that he is giving another bumper offer to Surya Prakash that he would make him lose his entire property and assets and pull him down to the earth and make him equal to their family to catch the hand of Aiswarya.

What plans did Sai make to make Surya Prakash bankrupt? What happens to the love between Sai and Aiswarya? Who is Mallikarjun and what kind of help or harm did he do to Sai? Did Sai emerge victorious in teaching a lesson to Surya Prakash? Answers to all these questions form part of the climax.



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Avatar (Hindi Version) English Movie Review And Watch Online

Avatar both excites and disappoints at the box office. While most reviews are glowing, some are disappointed with James Cameron's new creation. What are they disappointed with? For the most part, most complaints stem from the story line, which is said to sound like Dances with Wolves. It's also said that as "Titanic" had themes of "Romeo and Juliet", "Avatar" has themes of "Pocahontas."

Still yet, there's one thing everyone agrees on: the special effects are awesome. The Na'vi - the 10 foot tall blue creatures that Sully encounters - are unlike anything ever seen before. The colors, the special effects, everything in this film (which cost hundreds of millions of dollars to produce) are what makes the show so awesome.

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Madurai To Theni Tamil movie Review And Watch Online

Tamil cinema is now turning its attention towards new themes and new avenues. Welcome debutant filmmaker Radhibala, who has managed to weave an interesting movie that is typical of Madurai, the flavour of Tamil cinema.

What more, the director deserves applause for narrating a romantic tale on board a bus that is proceeding from ‘Madurai To Theni’ - via Andipatti, as the title suggests.

Radhibala deserves all applause for his hard work to get even the minute detail perfect in the script. Be it the dialogue, body language or the environ, everything is oozing with Madurai flavour.

At a time when every other filmmaker have picturised the town as a violent and furious, Radhibala has shown the pleasant side of it. There is no glamour, violence or double-entendre in the movie.

The intelligent director has not given any name to the lead characters enacted by Vinodhkumar and Srithika, who travel in the bus. Sweet romance between them amidst all fun in the travel is the film.

A youth (Vinodhkumar) decides to go to a village near Theni from Madurai to take up the job of a primary school teacher. Just before he begins his journey in a bus, he helps rescue a young girl (Srithika) from a freak mishap. Call it coincidence, both travel in the same bus.

The couple doesn't speak to each other but develops soft corner towards each other. Also there is the bus conductor (Raj Kumar), who hogs all limelight with his antics. When the girl gets down in her village, the youth follows her.

He manages to locate her house in the village and openly express his desire to marry her to her parents. All hell breaks loose. Did he manage to convince them and take the girl with him or not forms the climax.

What is interesting is that the director has managed to render an engrossing entertainer without any popular artiste in the film. Newcomers Vinodhkumar and Srithika have done a commendable work. They look at ease before the camera and performed what their director wanted them to do.

Singamuthu, who plays a prominent character, does a neat job and so are Nellai Siva and Muthukalai, who appear briefly in comic roles.

The movie shot in digital format by Guhan is pleasant to eyes. Music by Xavi is racy especially the remix of 'Dheena Karunakarnae..'. All said, the film is a feel-good entertainer that is worth a watch.

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Rocket Sing Hindi Movie Review And Watch Online

Everyone was expecting Rocket Singh - Salesman of the Year to start with a bang, given the fact that Ranbir Kapoor's last two films, Wake Up Sid and Ajab Prem Ki Ghazab Kahani, had found resounding success. Also, the fact that Aditya Chopra, Shimit Amin and Jaideep Sahni had teamed up with Ranbir, only raised expectations from the film. But the poor start of Rocket Singh sent shock waves within the industry. The film had a 20% to 40% start at certain plexes and at places, 10% to 15% start.

Reports are extremely mixed and it remains to be seen if the film picks up on Saturday and Sunday, like Yash Raj's previous two biggies, Chak De India and Rab Ne Bana Di Jodi.

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Indira Vizha Tamil Movie Review And Watch Online

You cannot withstand such a tribulation as you opt for this film. K. Rajeshwar would have penned an interesting version of Hollywood blockbuster ‘Disclosure’ that was later finely tuned into Hindi version ‘Aitraaz’ by Abbas- Mustan. How a filmmaker does would merely depend upon portraying Namitha’s skin show and fall apart from focusing on other aspects.

To be precise, there is nothing such thing called a gripping screenplay, effective performance and moreover the below average technical attributes.

Santhosh (Srikanth) has a good job, lovable wife Savithri (Hema Malini) and friendly colleagues at one of the leading TV Channels in South-Asia. Perhaps, his life’s course completely changes with the arrival of Kaminey (Namitha), vice-president of the channel as she is married to the rich owner (Nasser). Within next few moments, we have hidden past lives of Santhosh and Kaminey revealed and they were once living together.

But now, Kaminey wants to seduce Santhosh and moreover he falls to be her prey and at a point backs off as he receives call from his wife. Kaminey goes to the extreme of reporting her husband that Santhosh had attempted to harass her and fires him out of job. His wife goes estranged with this bad act and Santhosh files a case against Kaminey. Santhosh’s friend (Vivek), a lawyer by profession appears for him and carries on the case hearings.

Will he succeed or not? It forms crux of the story…

Srikanth with his improper selection of scripts has been losing out his market and this one isn’t elision. Hema Malini doesn’t emote to any sequences with her earnest efforts and Namitha seems to be assuming herself that she has done something better. Apart from her skin-show exposures, the missy has nothing to showcase here. Looks like Rajeshwar and Cameraman would have planned a lot for this. None of the technical aspects are quite interesting.

On the dot, ‘Indiravizha’ doesn’t gratify the audiences and maybe the ‘C’ Centre has something to rejoice with Namitha’s ludicrous show and double etendre dialogues.



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Pravarakhyudu Telugu Movie Review And Watch Online

Pravarakhyudu is one of the most awaited releases of December. Starring Jagapathi Babu and Priyamani, the film has been awaited by both the youth and the family audience, because it seemed to be a good motley of a universal theme and a protagonist (mythological Prvarakhya revisited) played by an actor who commands good popularity among middle-aged women. As was expected, Madan comes up with a story that derives its strength from its characters. Needed to such a story/film are interesting screenplay and dialogue, and on these parameters Pravarakhyudu is just about adequate. There are suitable doses of intellectualism, with Jagapathi presenting his own practical philosophy on things as deep as romance and love.

Sashi Kumar (Jagapathi) is brutally practical in his thinking. He is a first-rate Entomologist at Harvard University, who is never carried away by meaningless coincidences of life. So, if his female co-passenger in the plane en route India thinks that they should both marry, because not one but three tastes of theirs are similar, he bombards her irrationality in two seconds. For him the masterpiece Power Of Now could be trash! Warm Capuccino, he likes it for a different reason.

In the film, Jagapathi plays an interestingly mature character. Each line of his in the first half seems a sermon. He goes on a hunt for the right girl with his family and college buddy Ravi (Sunil), and on the expedition, you have him spout really sensible lines. Ravi should not feel embarrassed before his wife, because Sashi tells him that a wife is like a friend. When a stunningly money-minded girl declares the terms of understanding on financial matters to be adhered to by them post marriage, he sarcastically says that he is not for a joint venture kinda marriage. The Pravarakhyudu at last is magnetised to a village belle in the farm, the cause of which is decoded by his buddy, who reminds him of the belle's facial resemblance to one Sailaja.

Enter Priyamani (playing Sailaja) as the film goes back a decade's time, a traditional girl who thinks that the reason she is flooded with love letters every day is because she is a champion in possibly all extra-curricular activities than an average Indian student can conceive of (elocution et al). Sashi, the Supra-practical Rascal, enlightens her that it is not because she is cerebral or intelligent, but because she is, well, sexy that everybody is infatuated to her. Madan's sensual touch comes on again, off again.

Sashi, like every intelligent pragmatist, does not believe in the idea of love. Suspending it as myth, he explains to Sailaja who confesses her love to him on a sad day, that living together as married couple is different from falling in love. The bugle has been sounded for an excruciating (only for senti Sailu) break up between Sailaja, to whom Love is a reality, and Sashi.

The film takes a 10-year leap. Sashi is a renowned specialist in zoology, who has done the unimaginable: write a bevy of research books on species, insects and organisms Sailaja, the self-important Principal of a city college, cannot understand. A learned entomologist he could be, but he still loves to work in the Vardhaman women's college. See for yourself what this Nature-obsessed, matter-of-fact lecturer is up to in the college.

Performance-wise, Jagapathi and Priyamani do justification. Most of the footage is consumed by the twosome and they make good pair on the screen. Brahmanandam as a Yes-man to Priyamani is good. Sunil, Dharmavarapu and others have not much to display.

Dialogue need special mention; absolutely refreshing and modern, they add to film's worth. MM Keeravani's music sounds current. Though the script is exciting all through the first half, the film gets cliched and formulaic in the second half.

The story of how a man and a woman re-unite after a decade's time is well told. Mature at some places, it is equally sensual too. If there are scenes where the hero is seen telling a jilted lover to first love himself for the world to love him, there are also so that play it to the gallery. All in all, it is enjoyable.

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Radio Hindi Movie Review And Watch online

The movie basically does not have any story, rather. It’s cluster of accidentally set collectively scenes concerning some regularly puzzled characters. The tag-line of ‘It’s Complicated’ and some strange brand’s support are pierced into the senses of audience, & bring back the reminiscences of Yaadein (no pun intended).

The story revolves around a divorced, radio jockey Vivan (Himesh) who got accompanied with his cheerful colleague Shania (Shenaz).

Mine while he persists to be close friends along his ex-wife Pooja (Sonal Sehgal), who never know the reason of quiting her marriage. The trio fritters over 2 hours to find out their precedence in life. Vivan expectedly smashs into the song very soon despite of his expressive state. Shanaia splurge her full time revise her Facebook status. & Pooja guzzle losing sufficient coffee to provide audience an attack of caffeine.

The inadvertently amusing dialogues merely act as an icing on the cake. Regrettably this time roughly Himesh’s music need punch and can’t be known as cutback charm. But his frantic alteration from composer to actor appears as a description of real life of.

Sonal Sehgal has a attractive face still her role splurge much time for crying. Shenaz on other side maintain a smirk without any reason. The 2 girls concluding acting as modern Chadramukhi & Paro.

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Naan Avan Illai 2 Tamil Movie Review And Watch Online

Filmmaker Selvah’s remake of Naan Avan Illai proved to be a black horse at box office and after now he’s proving of his adeptness again with its sequel. Nearly couple of years, The Master of Deception is back in business with his tritely conniving styles. Jeevan plays the same role of a conman transfixing the filthy rich girls (Lakshmi Rai, Hema Malini, Swetha Menon and Rakshana), whose dreams are barely about money, diamonds and an obedient servant-like-husbands.

Although, the entire film has the hackneyed narration of Jeeva repeating the same fraudulent acts again and again, Selvah makes sure that audiences don’t feel bored about it. Much similar to the prequel, we’ve Jeevan reasserting– Naan Avanillai (I am not that person) and naturally, it adds to the interesting quotients in this film.

Sangeetha gears on for an exceptional role sans glamour while rest of the actresses seem to have crossed their limits of glam-quotients. Especially Hema Malini turns to be topped on these charts as she does nothing other than skin shows. On the pars, Rakshana and Swetha Menon strive to get their skins exposed to extreme…. But it’s really puzzling on who’s actually designing costumes for Lakshmi Rai.

Technically, the film hasn’t got anything special to mention about. It looks like music director Imman had just scored the music without any interests. Or maybe, Selvah requested him not to strain too much for best tunes.

Though Jeevan’s scheming acts are quite enjoyable, they lack logicalities. The best part to be appreciated is Selvah’s sleek screenplay and his ability to present an entertaining film with a short duration of just 105mins.

Finally, if you’ve planned to watch this Naan Avanillai-2, just go ahead, sit back and relax. But please drop your reasoning factors aside and don’t question certain illogical attributes prevalent in the screenplay.


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http://aarampam.us/channels/tamil/view.php?id=595

Ninja Assassin English Movie Reiew And Watch Online

"Ninja Assassin" gets off to a promising start a cocky young Yakuza gangster is receiving a tattoo from a wise old man when he receives an envelope full of black sand. The wise old man warns him that it's from a legendary ninja clan and the young man and his posse laugh... until the lights go out and the ninja arrive to kill them all. We then meet the heroine of the story, a forensic researcher by the name of Mika (Naomie Harris), who has found evidence that the legendary ninja clans might actually be real. We also meet our hero, a rogue ninja named Raizo (Rain) and see flashbacks to his training as a child. He and Mika team up and we find out he's on a quest to destroy Ozunu (Sho Kosugi), the head of the clan he grew up in. Some cheesy dialog, a hint of plot, and lots of fighting. So far, so good.

But then everything goes off the rails. There's a long section in the middle where we learn all about a girl ninja in training who was sweet and gentle and fell in love with Raizo and blah blah blah. Lots of talking about hearts and meaningful looks and no action! One of the friends I went with actually started yawning at this point. By the time the story gets around to including some fighting again, it's got a lot of revving up to do to get the audience's blood pumping once more.

It's a pity, really. The action sequences are pretty amazing in spots, though they are a bit heavy on up-close and hand-held cinematography. It's hard to appreciate the fight choreography when

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only the hero's head and chest fit in the shot. But when the camera pulls back and lets us see what's going on, the fights are engrossing (though they're graphic enough that the faint of heart should stay away). There are a wide variety of weapons, and lots of leaping and slashing and general awesomeness.

Another thing the movie has going for it is Mika. Her acting starts off a bit weak, but once she's scared and on the run from the ninjas she gets more interesting. She also has the ability, so rare in movie noncombatants, to follow the instructions of the folks trying to save her life! She gets told to stay put, she stays. She gets told to run, she runs. It's rather refreshing. Harris doesn't have a lot to work with, but she does a good job. The other actors are in the same boat the film sounds like its dialog was generated by tossing a bunch of other ninja movies in a blender, pulling out slips of dialog, and fitting them in where they seemed to go. The ninja clan leader talks a lot about strength and weakness and putting the clan first, Raizo talks about how dangerous and mysterious the ninja are, and so on.

The ninja themselves are pretty cool, though they have a tendency to come out of the shadows to face their enemies in a rising tide of whispers. This might have been intended to be a part of the soundtrack, not something the ninja were actually doing, but it resulted in a lot of muttered "aren't ninja supposed to be quiet?" commentary in my audience.

So did Raizo's lack of ninja abilities. For a supposedly amazing and deadly ninja, he takes a long time to kill people (his first assignment fresh out of training is a middle-aged obese guy in a bathroom, and they both wind up covered in blood and howling like mad before the end of the fight), is incredibly noisy, and pretty much never hides his face. As my yawning friend put it, "Worst. Ninja. Ever."

"Ninja Assassin" seems to want to be an update on the classic cheesy ninja movie, but it isn't nearly that good. It might be worth watching if you like cheesy martial arts flicks, but only if you can fast-forward through the boring bits.

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Paa Hindi Movie Review And Watch Online

Reinvention of Amitabh Bachchan, 67, has been for long in Hindi films, a multi-crore, boutique industry of its own. Most directors have attempted to remodel this rare clay into various forms, to shock or please a captive audience of over four decades. Many have, in the process, merely turned him into a contestant at some pansy-dress show: Jack Sparrow (Jhoom Barabar Jhoom), Gabbar (Aag), ghost (Bhootnath), genie (Alladin)… The star, I presume, came before the scripts. Few of those filmmakers were blessed with a vision beyond a childlike fascination towards Bachchan alone. Balki is a notable exception.

Last time on, he made an extreme inter-age romance (Bachchan, Tabu; Cheeni Kum) charming enough to not appear a pale joke. Here, the risks involved were infinitely higher. There’s the nation’s best-known actor, without his best-known assets: his deep voice, and his deadly presence. Amitabh entirely trades off his screen aura for a child-geriatric Auro. Mainline audiences can’t be used to this. They’re likely to laugh or leave. Surprisingly, they’ll laugh at the intended notes, and leave, quite satisfied actually. Therein lies the film’s grandest achievement.

Born to a political family, a predictable sartorial sense, and doggedness toward legwork like Rahul Gandhi, Abhishek Bachchan plays an upcoming star-MP Amol Arte. His is a 24x7, taxingly busy life: something that’s rarely acknowledged about politicians by their unhappy public. At a prominent school in his constituency in Uttar Pradesh, young Amol bumps into a uniquely gifted kid Auro. The boy’s face is like ET’s, and his voice could pass off for Amartya Sen’s. The two hook up on Skype, and hit it off over a planned date in Delhi.

The MP endlessly entertains the kid’s whims, without a compelling reason to. Only the audience knows that he’s in fact the child’s biological father.

Auro suffers from an incurable disease Progeria, which accelerates the ageing process. Such children don’t live beyond 12 or 13 years, by which time they’re already in their 70s. Auro is 12. He lives with his mum (Vidya Balan, strikingly unaffected), and a grandmom, he calls bum. He’s pretty much surrounded by love and care. The filmmakers completely ignore the trauma such children could go through in school. Kids are a lot more cruel than buddies of Auro’s mental age. These school friends are instantly warm and empathetic to his state. That explains Auro a happy child, and a film that never lets go off its sense of joy and humour.

The tone is still sensitive and sentimental; though, in portions, even melodramatic or bombastic. For most parts, the MP takes on the irresponsibility and trivialisation of television news. This should suit the opinion of the streets. It could fetch the film its box-office returns.

Beyond those distractions, each time the camera pans back to little Auro, you’re almost mesmerised by the face behind that mask. You also wish there was more of him. Though juries aren’t always credited with perfect eye-sights, they’d have to be simply blind to miss out on the sweet-sour, cute-compassionate, tender-strong Bachchan at their annual National Award scroll. Given the hungriest performer of our times, I suspect, he will still love another one of those. Few star-actors with such set public images could’ve pulled off such a nuanced role. This is also to state the character, like the film, isn’t just another advertising gimmick. Thankfully.

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