Pandorum English Movie Review And Watch Online

The term "pandorum" refers to what happens to the human psyche as a result of deep space hibernation, when the brain starts turning on its self, spinning out of control, and essentially 'losing it.' The film Pandorum, on the other hand, is a mysterious, scary, and downright claustrophobic sci-fi/horror flick that proves Hollywood still has a few original ideas up its sleeve, and that Dennis Quaid is still a star to be reckoned with.

Corporal Ben Foster wakes up from deep cryogenic sleep on board a seemingly empty spaceship and can't remember his name, who he is or why he's there. When Lieutenant Dennis Quaid wakes up shortly thereafter, just as clueless as Foster, the two slowly begin to put the pieces together as they attempt to take control of the ship. Little do they know there are some things worse than memory loss power surges on the other side of the locked door, i.e., humanoid creatures.

I hope I didn't spoil anything in that brief description, because part of the fun of Pandorum is the mystery of who these two guys are and what happened to the ship. Without simply leaving the audience in the dark, director Christian Alvart creates a story where the characters are just as clueless, making the movie an intriguing mystery rooted with sci-fi and horror elements. Pieces of background information and other memories are presented in flashbacks through Foster, revealing bits of information to the audience until finally all the pieces are put together. The flashbacks work well half the time, the other half the memories came too easy without any force, particularly the mystery of Foster's wife.

A few years back there was a cave exploration movie gone wrong called The Descent, which was dark and claustrophobic and featured scary humanoid creatures. In a way, Pandorum is like The Descent, only in space. The corridors of the space station are dark, lit only by glow sticks and the occasional flicker of fluorescent lights. Along with the constant darkness, there are a few scenes of crawling through the deep innards of the ship, scenes that made it hard to breathe as an audience member, as though the darkness of the theater was closing in. Not many films can pull that type of feeling off, but Pandorum rocked it like a pro.

Which brings me to the humanoid creatures running around the ship. These creatures are fast, primitive, and ferocious, using makeshift weaponry and their own gaping mouths to do their killing. Alvart shows us a great deal of these monsters, but initially allows our imaginations do the work by using creature point-of-view shots and off-screen sound effects to "show" the audience how terrifying these beasts are. After their ugly mugs are revealed, the horror then comes from not knowing what they are or where they came from. Again with the mysteries! The creatures are very Aliens-like, hunting in packs and using the bowels of the H.R. Giger-esque spaceship as their feeding and breeding ground.

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What Your Raashee Hindi Movie Review And Watch Online

Ashutosh Gowariker’s epics “Lagaan” (2001) and “Jodhaa Akbar” (2008) take their time — 224 and 213 minutes — to tell rousing tales of Indian heroics.

His new movie, “What’s Your Raashee?” (“What’s Your Sun Sign?”), an adaptation of a Gujarati novel by Madhu Rye, is epic in length only. A romantic comedy set in Mumbai, it clocks in at 195 minutes. That’s about two “Lady Eves” or almost nine 22-minute sitcoms. Then again, “Raashee” has the entire zodiac to cover.

Yogesh (Harman Baweja), a University of Chicago M.B.A. and part-time D.J., has a mission: marry as soon as possible to receive an inheritance and bail out his bumbling brother. Plan: meet a woman from each sign and choose one. There’s a college girl, a microbiologist, a beauty who has broken “the boundaries of virtue,” a take-no-prisoners businesswoman, and so on. Priyanka Chopra plays all 12 and manages to make each distinct (if, inevitably, sketchy). She’s the best thing about the movie.

The formula of 12 women, 12 dates (and about 12 song-and-dance routines), has a built-in tedium. Mr. Gowariker, in no hurry, throws in a couple of subplots too.

And what does Yogesh want? As played by Mr. Baweja, he’s an amiable blank, waiting for love to strike. He connects with the Virgo, a doctor who takes him on her rounds in a village, but he rejects her because she doesn’t want to move to Chicago with him. You can make oodles of money as a specialist in America, he tells her. My work is here, she says.

At this point, a good Hindi-movie hero ought to stop and examine his values. Not Yogesh. He just moves on to Taurus.

WHAT’S YOUR RAASHEE?

Directed by Ashutosh Gowariker; written by Naushil Mehta and Mr. Gowariker, based on the novel “Kimball Ravenswood” by Madhu Rye; director of photography, Piyush Shah; edited by Ballu Saluja; music by Sohail Sen; lyrics by Javed Akhtar; art director, Nitin Chandrakant Desai; produced by Ronni Screwvala and Sunita A. Gowariker; released by UTV Motion Pictures. In Hindi, with English subtitles. Running time: 3 hours 15 minutes. This film is not rated.

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Surrogates English Movie Review And Watch Online

It’s been awhile since we’ve seen Bruce Willis on the big screen and with his new movie entitled Surrogates, we see him in a similar but different role.

Surrogates is a slick science fiction movie where humans can have a synthetic counterpart who can live out their real life. And as what usually happens in Utopia, there always comes a time when something wrong happens.

While most action movie fans are celebrating the film, critics are divided among themselves. Praises for the special effects and the acting are pressed against the old and similar plot and shallow storyline.

But there’s one thing that everyone seems to agree on – if you’re looking for an action movie, then this one is the best choice out there. But this is no Die Hard nor Sixth Sense, so don’t expect too much and you’ll surely enjoy the film.

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http://vibux.com/view/709/surrogates-2009/#

Quick Gun Murgan Hindi Movie Review And Watch Online

This street in Chennai has a way with things. Unmarked mobile phones and pirated DVDs of all new Tamil films surface with astonishing regularity. However, uncharacteristically, the shops here drew a blank when enquired about the Tamil version of the much talked about film, “Quick Gun Murugan”. Not wanting to let go the opportunity, an enthusiastic shop owner offered to discuss “Vedigundu (Bomb) Murugesan” another recently released Tamil film in its place.

Far apart

Barring the three and a half things in common, these two films – “Quick Gun Murgan” and “Vedigundu Murgesan”, are as ‘far apart as nuclear physics and voodoo.’ If we cross the common Murugan name they share, the prefixes that evoke an arsenal and the similar character naming styles such as Rice Plate Reddy and Low Sugar Ganesan, they are worlds apart. Even the additional half a thing in common - the earlier one is an English- Tamil film (also dubbed in Tamil) and the later a Tamil film – does not get them any closer.

Despite the un-connectedness, the sheer act of putting the names together out of ignorance is probably the most revealing moment that offers an insight to the Tamil audiences’ perception to the film Quick Gun Murugan.

Like any spoof film, Quick Gun Murugan represents ‘the dramatic and weighty as silly and absurd,’ and parodies Tamil films and popular culture. In brief, it is about the adventures faced by the thin moustached, lipstick smacked, more than middle aged protagonist Quick Gun Murugan who wears the pink and green western outfit with guns in sling. He protects the cows and saves the country from the villain who wants to convert all vegetarian restaurants into non-vegetarian. In order to enjoy this film, as Roland Barthes would remind us about wrestling, audiences abandon themselves to the film’s primary virtue – its wackiness and do not think that there are serious questions to ask about its motives and consequences. As a result, even if they do not find it as a rip roaring comedy, the half bag full of ticklers it offers is enjoyed.

However, in spite of not wanting to probe the film, one question lingers in many - why this movie that unsparingly parodies the revered Tamil heroes and popular culture has gone without a protest? It is more puzzling when viewed against the typical understanding that the Tamil film going public is irrationally sentimental and even a slight provocation would be fiercely opposed.

It is true that parody and spoof are not new to the Tamil audience. They have enjoyed comedians mock all the leading stars including Rajinikanth and ‘wacky films’ such as ‘Imsai Arasan’ have been well received. The indifference displayed is borne more out of disconnect than familiarity.

While the other well known comical caricatures in films such as Mr. Bean and Austin Powers who rely on haplessness and shamelessness respectively, Quick Gun Murugan has less to do with clowning or self mockery, instead relying excessively on obsessive and unchanging stereotypes about South Indians dished for and made familiar to Hindi film audience.

Spoof works successfully by keeping the original it makes fun of in sight. The western genre is possibly the least ingrained and almost forgotten in Tamil films. Including Jaishankar who had acted in most of the western Tamil films, there are no enduring images to parody. What is parodied is also suspicious.

Cuts no ice

In the southern land of Thalapakati and Hyderabad Briyanis, even with wackiness as its licence and fun as purpose, the movie’s moralising attitude in favour of vegetarianism can never cut ice and is bound to be viewed as an upper caste obsession. Dialogues in the film that spoof scriptures only confirm that Quick Gun Murugan’s fight with non-vegetarianism has not moved much further from the Hindi comedian Mehood’s genre of stereotyping south Indians as a brahminical, vegetarian obsessed and English speaking tribe.

The dress of Quick Gun Murguan, which is the first and fundamental indication of both the anachronism and fun the film intends to provoke, is yet another archaic trope. This image and its provocation has more to do with the much celebrated Mel Brooks spoof film Blazing Saddles (1974) than all Tamil films put together.

The protagonist in the Blazing Saddles appears in a sheriff’s costume that is meticulously designed with the Gucci designer label name written big and bold across the bag he carries. The audience laughs at the incongruity of the costume by relating it to the purpose of his trip and his African American origin. “Quick Gun Murugan” takes this idea of the incongruous attire literally and converts it into a wacky pink and green outfit that stereotypes the Tamil or by extension South Indian films’ ‘dubious dress sense’. The idea cannot get anymore dated.

“Quick Gun Murugan” draws from an assorted set of archives including TV commercials, Hindi movies and Hollywood films such as Austin Powers’s series. The most visible of them are its references to the Blazing Saddle. Both the films deploy politically incorrect jokes, the use of Yiddish with English in Blazing Saddles and Tamil-English in QGM, literal references to cows and cowboys, the connection between seductress Lili Von Shtupp and Mango Dolly and the crazy Mongo and Dr. Django cannot be missed. The film connects with those who are familiar with such archives and are willing to buy in the stereotypes.

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http://www.iplcricket4u.com/watch_video.php?num=5&id=3247

Unnaipol Oruvan Tamil Movie Review And Watch Online

Kamal Haasan and UTV Motion Pictures's Unnai Pol Oruvan (Someone Like You), directed by Chakri Toleti is one of those quintessentially Kamal movies -- it touches on subjects any one else would cringe about, has unexpected characters completely taking over the film at odd places, twists and turns around like the proverbial snake and ladder game -- and finishes on a note that is both puzzling and bizarrely satisfying.

Of course, it also happens to be the remake of the Hindi classic A Wednesday which gave a new dimension to mainstream Hindi films; so expectations are pretty high on both counts. Which makes defining this movie even more difficult.

It helps, though, if you haven't watched the original, because then, the cast of characters and the way they're played come as a complete and welcome surprise: there's common man himself (vintage Kamal Haasan [ Images ]), nemesis I G Raghavan Maraar (Mohanlal), who's saddled the unpleasant task of protecting Chennai, Natasha Rajkumar (Anuja Iyer) the cigarette-toting journalist who's given the ringside view of one terrifying day in the city's life, Arif Khan (Ganesh Venkatram), the tough and rough cop who's deliciously suave and stylish, the CM's chief secretary (Lakshmi)and several other Haasan staples who're there because they're important.

Oh, and there's the chief minister himself. The real one. Only a voice, but his presence is pretty imposing, and that makes the situation even more genuine.

The circumstances themselves are sufficiently riveting: early one morning, an ordinary man plants bags of explosives at random parts of the city. He then proceeds to call up the commissioner, informing him that unless several terrorists involved in the Kovai (and other) blasts are released, he'll proceed to wreak havoc. And the force springs into action.

Its delightful to watch, for the first time, how the bureaucracy really works in such a tense situation: the political tension between the chief secretary and the commissioner, Raghavan Maraar's slip into Malayalam whenever the going gets tough, his steadfast devotion to Tamil Nadu (he argues that its his home as much as Kerala [ Images ], to much resounding applause), the way the machinery swings into action: the chief minister's call (in Mr Karunanidhi's [ Images ] trademark raspy voice) to his secretary, the way Arif Khan tracks down criminals and the way his loyalties are continuously questioned.

The conversational battles between Maraar and the Chief Secretary are practically bursting with sarcasm and wit as each tries to shift the responsibility to the other. And there's the tirade between Maraar and the common man himself -- a long exposition that gives some back-story, and tries to explain why he does what he does.

But what really makes Unnai Pol Oruvan a great movie are these things: the lack of songs (or unnecessary fight sequences) anywhere in the narrative except for soaring background bits; the way secondary characters, especially Sethuraman, Natasha and Arif Khan are handled; showing various aspects of the very real battle the police force faces on a day to day basis, instead of having one hero demolish all ...

And somewhere along the line is Arvind, the superstar (Sriman) whose mannerisms are so obviously that of the Ilaya Thalapathi that there are several knowing smirks in the theatre.

Era Murugan's (and Kamal's) dialogues are brilliant (even if they get wordy at some places). The duo does keep in mind the common man's perspectives, and the little nuggets of humour are a definite delight. A little problem might be the over-abundance of English -- but fortunately, the narrative slips into Tamil soon enough.

Manoj Soni's camera work is neat; showing exactly what's needed, and cleverly concealing things when there's a need to. Rameshwar Bhagat's slick editing makes sure the film stays in perspective. Shruthi Haasan seems to have succeeded with the background score -- it rises and ebbs at the right places, and doesn't jar the proceedings.

But undoubtedly, these are merely the technical details. What really makes this movie watchable are the performances. Mohanlal is a delight -- the man's calm assurance, betraying only slightly what he's going through, his ability to think in ten different directions, and to empathise with his subordinates (witness his interactions with Arif, Sethuraman and Natasha) and his affinity to being more a comrade than a superior (the beer dialogue with Arif is classic) -- and his final thoughts are appropriate.

By contrast, Kamal Haasan has himself taken a backseat, coming into his own only in the second half, which is when he stops being a furious middle-aged man driven by an inner force and shows some vulnerability. Both he and Lakshmi fulfill their parts -- they're excellent performers, and can't do bad even if they're offered terrible roles.

The surprise package (in more ways than one) is Ganesh Venkatram. As the stern cop who packs a punch and can get things the right way, this man is a revelation, and you only wish there'd been more for this character to do. And it helps that he's no slouch in the looks department.

If there is a drawback, then it's the way the film ends -- rather abruptly, though technically, the loose ends are all tied up. You're left yearning for some more resolution, more of back-stories, and a little dwelling on emotional issues. But then, that might lead into a full-fledged pot-boiler, and this movie certainly isn't one.

Unnai Pol Oruvan isn't for mainstream buffs with four songs and a fight -- it aims to be cerebral, and plays more towards subtlety and the serious issues that threaten to swallow us, forcing us to look at them instead of just walking away.

Fortunately, its random hilarious moments and human perspective save it from becoming a documentary. And just for that, it merits a must-watch.

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http://video.yahoo.com/playlist/101913656

Kana Kanmani Malayalam Movie Review And Watch Online

Kana Kanmani is from Akku Akbar -K Gireeshkumar team. It is indeed a daring attempt to deliver a strong message to the society. The movie and the director have definitely successful in projecting the theme as well as its message with a strong. Other than this, the movie does not offer anything to keep you glued to your seat.

The movie showcases Jayaram as Roy, a successful architect who enjoys his marital life happily with a Brahman girl, Maya, an interior designer. Their sweet routine in their cosy little apartment is immersed in short digs at each other religious beliefs and outings with their cute, brainy little daughter Anagha.

Roy plans to take his family for a foreign tour, after his proposal for a township gets approved. Meanwhile the little Anagha shows interest in an old bungalow which she had seen in some old photographs. These pictures belong to the old mansion where Jayaram and Maya would have started their marital life. And soon the three start off on a trip to this mansion, which has lots of unexpected surprises for them in store.

The theme conveys the message that every conceived foetus has the right to live. The director also presents the theme in a very interesting way. The dialogues by K Gireeshkumar are quite ordinary;

The highlight of the movie is that there are not much preachy dialogues or hard hitting speeches.

Jennifers Body English Movie Reviews And Watch Online

She is a beautiful girl who entices boys into a secluded place where she then shows her vampire-like teeth and proceeds to rip them to shreds and drink their blood in order to gain strength. That, in a nutshell, is Jennifer (Megan Fox).
Jennifer is your typical class beauty until the utterly unexpected happens and she becomes a flesh-eating demon.
Her best friend, Needy (Amanda Seyfried) is a classic geek who follows her around like a puppy dog and does everything she tells her to. One might even get the impression that Amanda is, in fact, secretly in love with Jennifer.
Diablo Cody (creator of Juno) wrote this film and the viewers can definitely hear bits and pieces of the very notable Juno dialogue - that impress audiences with its cleverness and wit. However, can Juno be made into a dark comedy-horror film?
That is where the film struggles, it jumps from being horror straight into the audience laughing uncontrollably about what is coming out of a characters' mouth. This causes confusion during the viewing. One doesn't know whether to anticipate being scared or to wait for the next comedic line to come out. In a way, it keeps the audience in a bewildering mindset. It is not the average comedy or scary movie. It's both comedy and horror mixed into one and its baffling to say whether or not it works. It goes from one extreme to the other.
Fox's performance was not bad, but it certainly wasn't great. Seyfried had a more challenging role, but if she can stand out in Mama Mia against Merrill Streep then she can tackle this role - and she did.
So, if you're looking for something different to watch, then I recommend Jennifer's Body. If you aren't questing for the unusual, then I suggest you steer clear of this film.

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Dil Bole Hadippa Hindi Movie Review And Watch Online

Dil Bole Hadippa, produced by Bollywood's ‘I-Proud-To-Be-A-Punjabi’ film studio, Yash Raj Films, is an unimaginative and thoroughly boring comedy starring Rani Mukherjee as Veera, a pretty Punjabi kudi in Amritsar who is so nuts about cricket, she disguises herself as a man to join a local cricket team. Shahid Kapoor stars as Rohan, son of the team's owner, and a county cricket player in England, who agrees to come down and coach his dad's team so they have better chances of winning an annual match against the Pakistani side.

Expect the predictable locker room hiccups, the obligatory romance between Rohan and Veera, the subsequent revelation that the ace batsman in their team is actually a woman, and eventually an alls-well-that-ends-well climax.

Shamelessly ripped off from the 2006 Hollywood rom-com She's The Man, the plot of first-time director Anurag Singh's Dil Bole Hadippa is full of holes. Its formulaic screenplay is packed with clichés and stereotypes that you've seen dozens of times before in films produced by the same banner. The never-ending references to Dilwale Dulhania Le Jayenge, the patriotic clap-traps, and those overused Punjabi lines – very little is original here.

The film's only bright spark is that feisty performance by Rani Mukherjee, especially in her sardar avatar. The actress lets herself go with an unhinged, uninhibited turn that showcases her fearlessness as a performer. It's a shame she's trapped in a meaningless, embarrassment of a film like this that does no justice to her talent.

Dil Bole Hadippa is about its sets and costumes and choreography; the emotions are superficial, its soul hard to find. The film bears no directorial signature; it's really a homogenised Yash Raj product that borrows its moments from Chak De India and Rab Ne Bana Di Jodi to name just two films.

Cheesy starlets like Sherlyn Chopra and Rakhi Sawant are thrown into the mix for cheap laughs, and it even takes up the equal-opportunity issue between men and women in cricket, just in case you thought the film was becoming too trivial.

I'm going with one-and-a-half out of five for director Anurag Singh's Dil Bole Hadippa; it's a crushing bore of a film that's neither thrilling in its cricket scenes, nor entertaining in its humour. What's it going to take to expect some originality and inventiveness from one of the biggest players in Bollywood?

To be honest, dil bole sudharjaa!

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http://www.iplcricket4u.com/watch_video.php?num=1&id=3252

Eeram Tamil Movie Review And Watch Online

Earam is a complete of sense love for & thrill. Aadhi is living the position of supporter official of police force.

The story among him in addition to Sindhu Menon happen in the place of adoration house. Nandha acting a engineer who romances among Charanya Mohan. The whole misdemeanor in adding to pursue happen in adding to intensify sandwich amid the 4 youthful public.

The Story: Earam is a filled of love & thrill.Aadhi is singing the role of assistant official of Police. The story flanked by him & Sindhu Menon happens in the shrine building. Nandha Theater & wangle who romances by Charanya Mohan.

All the offense & chasing happens & heighten among the 4 young people.

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http://www.iplcricket4u.com/watch_video.php?num=1&id=3441

Wanted Hindi Movie Review And Watch Online

Salman Khan-starrer Wanted is a film that makes no bones, no pretences about the fact that it'll do anything to get a reaction out of you. It's loud, vulgar, offensive, violent, cold-blooded, dumb, and silly. But that's all part of the design.

Salman stars as a glum hitman-for-hire named Radhe who, for the right price, will bump off rival gang-members like he's snapping twigs. Radhe can take as many as 10 to 12 scoundrels at a time; he dodges bullets, leaps across scaffoldings, and smashes through glass panes without so much as a scratch. In between such nefarious activities, Radhe's eyes fall on a middle-class girl named Janhavi (played by Ayesha Takia), who is drawn to his rakish charm.

The city, meanwhile, is gripped by a surge of crime; rival gangs attack each other in broad daylight, cops are mixed with crooks, and the body count keeps rising. When criminal kingpin, and head of the gang that Radhe works for, Gani (played by Tamil actor Prakash Raj) arrives from his secret hideout in the far East, hoping to settle scores with a friend-turned-foe, the police swings into action. Even as Janhavi fobs off the advances of a lecherous, corrupt cop (played by Mahesh Manjrekar), a sudden unexpected twist takes everyone by surprise.

A shrewd, old-fashioned entertainer that plays to the galleries, Wanted is exaggerated and formulaic, but relies squarely on the charm of its leading man to pull off its over-the-top tone.

The good news is, Salman Khan appears to be having a rollicking good time. He throws himself completely into the film's visceral action portions, which include scenes of gruesome stabbings, bone-crunching freefalls and ear-drum splitting shootouts. He even puts his casual, laidback style of dialogue delivery to good use in the film's romantic and comic scenes.

There's a running joke in the film that involves Ayesha Takia's character Janhavi and her pasta-containing lunchbox which she never seems to offer Radhe. Watch him in the scene at a railway platform where he finally confronts her for never sharing her pasta with him. Rare moments like these have you guffawing in your seat.

Where Wanted slips is in its pacing. While early portions of the film move at a breakneck speed, allowing you little time to even ponder the ridiculousness of what's going on, the film's second half drags on and on, leaving you bored and exhausted by the time the end credits finally roll.

Inevitably, comparisons will be drawn with Ghajini, but that film – despite its similarly violent premise – had a coherent plot at its core. Wanted like I told you earlier, doesn't even pretend to make sense.

Directed by ace choreographer Prabhu Deva, Wanted is a remake of his Tamil film, Pokiri, which was itself adapted from a Telugu original. The Hindi version, much like the previous films, goes for broad humour and cheap thrills. At times downright stupid and unapologetically excessive, Wanted is a B-grade crowd-pleaser that knows exactly who its audience is.

The film is a showcase not so much for Salman's acting, but for his scorching screen-presence and his infectious enthusiasm for dancing. Film after film the actor has been accused of sleepwalking through his roles; this time he's wide awake and having a blast.

For die-hard fans of the star who don't have a problem with extreme violence and juvenile comedy, this might be a treat. For others though, it's strictly average entertainment.

I'm going with two out of five for Prabhu Deva's Wanted. Carry cotton for your ears and a Crocin for the headache.

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http://www.iplcricket4u.com/watch_video.php?num=1&id=3432

Ninaithale Inikkum Tamil Movie Review And Watch Online

Just seeing Gemini Film Circuit's famous twin icons as they open the movie is nostalgic and this time, they're back with Ninaithale Inikkum, yet another evocative title that brings back memories of the eighties romantic flick. Based on James Albert's story and a remake of the Malayalam blockbuster Classmates, which spawned many college-campus movies, this Tamil one, directed by G N R Kumaravelan, is all about the wonderful college years, free-as-a-bird life and even more doses of nostalgia.

If it had been just that, this would have been an incredibly boring film. What makes it worth the while is that it actually has a plot with a spike of suspense, and even the characters get you interested.

Not that there's any evidence of such things right away. In fact, this movie is extremely predictable in its opening: tough-guy-with-a-heart-of-gold Shiva (Prithviraj, looking magnificently furious, if a tad cliched) beats up bad cookie Vasu (Karthik, of Evam drama troupe fame) because he dared to accost a girl. He has the support of friends Shakthi (Ajmal), a wonder-boy who sings, composes poetry and is full of the goodness of friendship and is asthmatic to boot, and Bala.

On the opposite side of the spectrum is Meera (Priya Mani [ Images ]) the daughter of an MLA and willing to contradict Shiva at every turn. Then there's Sethuraman (Ilavarasu) the crotchety hostel warden, the cook Subramani (Bava Lakshmanan) and lecturer (Manobala) who make up the college side of things. Completing the band is Shali (Anuja Iyer), a quiet Muslim girl.

The story moves back and forth from present (which is a college re-union) to flashback mode, and you get to see slices of innocuous events gradually adding up to present a puzzle.

Shiva is a good student, but is too much the fiery young man who's willing to take up causes at the drop of a hat. You get to see a softer side of him when he romances Meera in his own way -- stand-offish, and unwilling to speak soppy lines. But with someone like Shiva around, life is never smooth -- so there's Vasu, swearing eternal vengeance. The two come to a head during the college elections, but tragedy strikes suddenly: Shakthi dies under mysterious circumstances.

It's a darn good thing there's more to this movie than long monologues about the sanctity of friendship and cliched dialogues -- there's actually a creditable attempted murder mystery, a whodunit that really does get you by surprise, even if only for a few minutes. The characters do speak dippy lines but they also think, feel and react normally, which is a relief.

If only Prithviraj didn't sound so much like a Malayalam student on an exchange programme, it would have been neat. Fortunately, he does make up for it with his intensity, both in the fight scenes and the barely-there comic intervals. Ajmal is all right as the gentle romantic, but you know straightaway that someone this sensitive isn't going to make it through. Karthik and Bala have done good work, as have the supporting cast. Priya Mani is cool and collected mostly until the item numbers where she lets loose, and that just doesn't fit in.

In fact, that's one of the factors that sticks out like a sore thumb in a movie like this. Item numbers (no matter how great Prithviraj looks, clean-shaven, or how well Priya Mani shakes her hips) simply don't have a place. The audience yawns and fidgets when a number appears and Vijay Antony seriously needs to take lessons from his betters in background score. Every emotion is heightened, instruments clash jarringly, and subtlety is taken for a toss until you want to scream. Tone down, pal.

Srikar Prasad's editing is fantastic, especially in one of the fight sequences (in the hostel), and you know the work of a master when you see it. Balasubramaniam's camera-work is neat, especially in the flashback sequences.

If you can ignore the melodrama, the (sometimes) cliched dialogues and item numbers, then this one is actually a decent movie. The Tamil version doesn't exactly pull at your heart-strings like the Malayalam version seems to have done -- but it at least has a plot with all the loose ends tied up. What more do you want?

Here is the link to watch the movie online. Just copy paste the link below

http://www.iplcricket4u.com/watch_video.php?num=1&id=3435

Aamras Hindi Movie Reviews And Watch Online

There's Pari, the spoilt rich glamgirl, Rakhi, the spunky and spitfire Punjabi kudi, Jiya who's sweet and subdued, and Sanya, attractive and confident. Despite their different personalities and class differences - Jiya comes from the middle-class - the four girls are 'friends forever'. Discussing push-up bras, smoking during a school trip, breaking a car's windscreen - they do everything together.

But all relationships have those narrow crevices where negative energy thrives. The girls and their lives are no exception. Class, as Karl Marx saw it, affects every aspect of our life. To director Rupali Guha's credit, she doesn't brush this aspect aside.

Despite a wonderful opening track sung by Kailash Kher, Chhote chhote pairon ke tale raste bade, Aamras has a rather hammy opening 15 minutes. But soon Guha gets her bearings right. And though the film occasionally feels like a Banegi Apni Baat type of tv serial, it develops a sweet tempo and tenor of its own.

It has sensitivity too: that Jiya has a hearing problem shows how new Bollywood is willing to make progressive moves within the limits of commercial cinema. But the Parimal Tripathi gag - a character who dresses the same way as Dharmendra in Chupke Chupke - doesn't work.

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9 English Movie Review And Watch Online

The animation-work in “9″ is nicely executed. The colors, set designs are no means something really groundbreaking but I did appreciate its style. It does convey a mood that matches the film’s tone. The film is also quite action-packed that action lovers will no doubt be entertained. The designs of the mechanical beasts were good, they mimic things that can be just freaky. The world of “9″ is meticulously crafted. The film is a sci-fi mystery until things start to get moving, and the film becomes an actioner with plenty of swift although a bit repetitive movements. “7’s” moves become redundant after awhile.

“9″ isn’t exactly a bad film but the film does feel too short and would have benefited to be much longer. Acker’s storytelling had a lot of things going for it, but it just curiously stopped short in its execution and never realizes its journey. The `stitch punks’ were involved in a mystery that had some compelling things going for it but they just weren’t allowed to move around the depths of its core. Acker does rely too much on theatrics and never allows the viewer for a `nesting` stage to augment the wonder. The film is an average CGI-generated flick that may please those who like special-effects blockbusters but will turn off those who look for an intricate storyline. I appreciate brainless entertainment, but “9″ pretends to have something deeper and ends up not fulfilling its promise. But “9″ has its originality and vision. It is conscious that it is mighty eccentric and interesting; too bad the resolution is unsatisfying.

Recommended with caution, Rent it first [3 Stars= Good, Flawed But with Redeeming Qualities

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Vaada Raha Hindi Movie Review And Watch Online

Mumbai: Bobby Deol plays as Duke Chawla, a successful doctor with a great love life. He is about to be married to Kangna Ranaut as Nalini, but before he can settle down he meets with an accident and is paralysed neck downwards.

The love of his life leaves him. The person who was once the spirit of hope is now angry and frustrated, with no will to live.

Enter Roshan, a little boy in the same hospital. He is stubborn, naughty and full of life. Though Duke and he get off on the wrong foot initially, they both develop a very special bond. The boy fills him with his own thirst for life and high spirits.

Roshan lights the candle that diffuse all the darkness from Duke's life. He leaves his limitless will to live in Duke, so that he can finish his research and save many other Roshans.
Vaada Raha...I Promise is a heart-warming story of hope, that is the basis of any defeat.

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Gamer English Movie Review And Watch Online

It's the near future, the violent interactive video game called "Slayers" is hugely popular, mainly because its star player Kable (Gerard Butler), a death row inmate, constantly puts himself on the front lines to run a gauntlet of deadly tests in order to fight his way to freedom. His goal is to reunite with his wife (Amber Valletta) and daughter and find out who initially framed him for murder. The creator of the game, Ken Castle (Michael C. Hall), knows that he can't let Kable win, so he stacks the odds against him, until the activist group Humanz frees Kable from the game and lets him loose in the real world.

There's absolutely no question that some will find this movie entertaining--others might even consider it semi-intelligent at least compared to normal action-thrillers--but "Gamer" is nothing more than the meeting of Hollywood "What if" high concept with two young filmmakers' idea of what young males want to see at the movies. Maybe they're right, but we should pray to whatever higher powers there may be that that they're not. Ultimately, they've made a video game movie that leaves out the most important part--the ability to control the characters and take them in more interesting directions.

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http://www.movshare.net/video/k4yix04gx6de3#

Baabarr Hindi Movie Review And Watch Online

Gone are the days when people could be glued to the screen by the action sequences. The story of innocent people being driven into the gory world of crime has been shown in so many films that they seem to be incapable of arresting audience’s interest any more. Today, it is the era of movies depicting the dilemmas of modern life and the complexities of human nature. Romantic movies, as always, have secured their own place and prominence even in this time.

Despite being aware of the recent trend, director Ashuu Trikha have proved himself audacious in taking up the castaway genre of bloodshed theme for his new movie ‘Baabarr’. The movie rotates around the theme of crime but what makes the movie to stand out is its unusual treatment of the subject matter. It shows that the evil clutches of crime do not even spare the small kids who once trapped could never find their way out. It sends an alarming note that the world of crime exists eternally in some or other form.

The movie speaks about the way the law and order machinery of the world is being shattered by the wicked plays of the cops, politicians and gangsters. And the one who suffers incessantly for no crime of his own is the common man. Unlike the popular trait among the film makers to base such gangster movies in Mumbai, Ashuu Trikha takes the unconventional setting of Uttar Pradesh as the location for his movie. The movie is not the hard-core bloodshed, yet may not be very easy going for the faint hearted people.

The main story line starts with the 12 year old boy, Baabarr picking up a gun and shooting a man in the broad day light on the streets of Aman Gani. With no mark of repentance the boy walks down the street holding the gun intact in his hand. The first crime drains him of all the emotions and leaves him as a dry man with no feeling.

The boy grows up committing one crime after another and becomes the terror of the place. Soham Shah does all justification to the role of grown Baabarr. Killing people became as easy for him as smashing a fly. His domain of terror grew to such a dimension that the Government had to think for a mighty force to crush this devil’s head. Mithun Chakraborty comes in the scene in the role of Encounter Specialist S.P. Dwivedi who is entrusted with the responsibility to arrest Baabarr or to kill him.

The film has a marvelous script; and the man to be credited for this is Ikram Akhtar. Dialogues are powerful to convince each sequence of the movie. The flow of the movie is superb and at no point you are left wondering why did this happen.

Soham Shah has done an incredible work in the movie with his natural and spontaneous acting. Besides, his simple look with no make-up look of a star makes him more justifiable to the role. Doubtlessly, Mithun Chakraborty is as good as in any of his previous movies. Other characters like Om Puri, Tinnu Anand, Shakti Kapoor, Mukesh Tiwari, Vivek Shaq and Pratima Kazmi have contributed one of their best performances to the movie. Abbas Ali Moghul has done a commendable job in handling the action sequences. Cinematographer, Suhass Gujarathi also deserves special applaud for his work.

To put in the nutshell, Baabarr stands out as a powerful movie with great story line and memorable characters. The movie may bring back the castaway genre of bloodshed.

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Aagay se Right Hindi Movie Reviews And Watch Online

With a title like this, AAGE SE RIGHT, you expected to see typical Mumbai humour based on the oft-repeated direction given to a simple question asked by anyone looking for the right address or location.

However, this is a story of a lost gun and a police officer from a village who reports for duty in Mumbai. His service revolver is stolen by three teenagers out to have some fun. What follows next is Dinkar Wagmahre's (Shreyas Talpade) hunt for his service revolver. Director Indrajit Nattoji packs in too many instances and characters and somewhere along the line loses the plot.

Apart from Shreyas there is Kay Kay Menon (Janubhai) who is sent on a mission to terrorise Mumbai with bombings. However, on the first day itself, after landing in the city he is reformed, falling in love with a bar dancer, Pearl (Shenaz Treasuryvala). His big boss is not happy. He flies down himself to set the plan in motion.

There is also Raghav (Vijay Maurya) who houses Janubhai when he comes to India. With Janubhai, he too has a change of heart and ventures into the catering business. There is Mahie Gill as a TV reporter who always reaches the scene of action in time. But much of the action is centred around Dinkar and his search for his pistol.

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Rahasya Police Malayalam Movie Watch Online

Three Hindi Movie Riview And Watch Online

Thrillers have been Vikram Bhatt's forte and Three Love Lies Betrayal, scripted by Vikram Bhatt and directed by Vishal Pandya, takes the legacy forward. This time, it's a simple setting, involving three people. But it's not as simple as you think. The relationships are complicated, the characters are crooked and double crossing is almost a habit for this trio.

Buzz Unpredictability is the strength of Three. Also, the culmination should come as a jolt - that's a must that any suspense thriller - and the twist in the climax meets the requirements, catching you by surprise. But Three is not without its share of hiccups. The writing is not consistently engaging and also, the length could've been concise. Yet, all said and done, Three is a notch above the ordinary.

Three revolves around Anjini [Nausheen Ali Sardar], who is married, is also a violin teacher and runs the house with whatever she earns. Her husband, Rajeev [Akshay Kapoor], who has not been able to earn much, lives in her house and on her money, which is the reason for his anger and frustration.

Rajeev finally gathers the courage and asks her to sell her house and give him the money to invest in the business; she refuses as her house is her only connection with her parents, who are no more. She decides to help her husband and give one portion of her house on rent so that her husband can use the money for his business.

Sanjay [Ashish Chowdhry] comes to stay in her house as a tenant and reads the tension between the couple. He sympathizes with her and in the process, she falls in love with him. Is Sanjay's love for real?

Not once do you feel while watching Three that it's helmed by a first-time director. Right from the shot compositions to extracting the performances, the debutante director seems in control of the situation. But the writing could've been cohesive and more impactful.

For instance, the wife is subjected to domestic violence at two vital points, but not once does she report to the cops. The women of today are well aware of their rights and wouldn't cow down to any abuse. Also, the game of one-upmanship towards the end gets a bit complicated and could've been simplified.

Chirantan Bhatt's musical score is pleasant. Raju Rao's background score enhances the impact considerably. Pravin Bhatt's cinematography is truly arresting. The veteran DoP captures the beauty of Scotland on his lens admirably. The dialogues [Vikram Bhatt] deserve special mention.

All three actors fit into their roles well. Nausheen Ali Sardar is a revelation. She's excellent all through. Three should act as Ashish Chowdhry's showreel, frankly. He has gradually evolved into a fine actor and this film proves it. Akshay Kapoor enacts his part with complete understanding. He knows the grammar of acting right. Achint Kaur is first-rate. Wonder why film producers have ignored this talented actor for so long.

On the whole, Three Love Lies Betrayal is a well-made thriller, but it remains to be seen how it fares in the Ramzan period and also how it competes with simultaneous multiple releases.
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Halloween 2 English Movie Review And Watch Online

Halloween II

Directed by: Rob Zombie
Cast: Scout Taylor-Compton, Malcolm McDowell
Running Time: 1 hr 45 mins
Rating: R
Release Date: August 28, 2009

Plot: Serial killer Michael Myers returns to Haddonfield, Illinois, to finish some family business left off from 2007’s Halloween and kill his sister (Taylor-Compton).

Who’s It For? Fans of mainstream horror, especially those who can forgive some obvious imperfections for the sake of seeing lots o’ blood on the big screen.

Expectations: I am a big fan of the Halloween that started it all back in 1977, but I must say I was not that impressed with my recent viewing of Rob Zombie’s remake of the film from two years ago. Still, I was very curious to see if this could be the first Zombie movie I’d actually like.

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http://www.zshare.net/video/649069002784e43d/

Fox Hindi Movie Review And Watch Movie Online

Fox is an edge-of-the-seat suspense thriller that moves at high speed between the bustling metropolis of Bombay and the beautiful beaches of Goa.

Fox Hindi movie which will be released on 4th sept is an action thriller movie .

The story is about a cat and mouse chase between a young successful criminal lawyer (Arjun Rampal) and a mysterious stranger who is controlling and threatening his life. Now the lawyer must seek the help of a reluctant cop (Sunny Deol) in solving the mystery.

Director
Deepak Tijori

Star Cast
Sunny Deol…… Yashwant Deshmukh
Arjun Rampal…… Arjun Kapoor
Sagarika Ghatge…… Urvashi
Udita Goswami…… Sophia
Vipul Gupta…… Raj

The story revolves around a young, successful criminal lawyer, Arjun Kapoor whose knowledge and aggressive interpretation of the law makes him a name to reckon with. He is reputed to have never lost a case and can get anyone acquitted, no matter what the crime. No wonder, then, criminals swear by his name.

Arjun loves being famous and successful and spends little time thinking about the moral issues related to his work. After years of saving criminals from punishment, one day, torn with guilt, he decides to quit his law practice and change for good. However, someone seems to be unwilling to let him go so easily.

Now, Arjun is in a race to save himself, and must use the help of his girlfriend Urvashi and a local Goa police officer Yash Deshmukh before it’s too late.

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Unnayipole Oruvan Tamil Movie Trailer

Daddy Cool Malayalam Movie Watch Online

Malayalam film Daddy Cool directed by newcomer Aashiq [ Images ] Abu is one more substandard film of Mammootty to hit the theatres in the recent times after Ee Pattanathil Bhootham.

Most of these films with big stars piggyback on the star's image to score at the box office, and, they are all made to showcase the star the way he is loved by his fans. Still, we wish the filmmaker used a thread to weave a cohesive story. This is where Aashiq Abu fails miserably.

The story (if we can call this a story) is about Antony Simon (Mammootty), a cricket crazy police officer, who will do anything to be with his school going son. His easy going attitude makes him an object of ridicule among his co-workers and drives his wife Annie (Richa Pallod [ Images ]) crazy. As expected the father-son duo do not change till the end even when things go terribly wrong.

You may argue that this film is kiddie stuff like the other Mammootty film, Ee Pattanathil Bhootham released a few weeks back. But, parents are warned that the dialogues credited to Bipin Chandran are somewhat crass with street lingo and innuendoes.

We have seen Mammootty playing the cool cop numerous times but he is not cool either as a cop or a daddy. We cannot imagine Sreenivasan doing the same.

Of the rest of the cast Master Dhananjay playing Aadi, Antony's son is a typical over smart cinematic kid. Richa Pallod as the working mother passes muster but has nothing substantial to do. The supporting actors consisting of Biju Menon, Sai Kumar and Vijayaraghavan, Baburaj act as Mammootty's colleagues.

Samir Thahir's camerawork is the only good thing about the movie.

So, to the question whether you should spend money to watch this film, the answer is this: listening to the classic Boney M song (Daddy Cool) on a loop will be a better idea

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http://www.megavideo.com/?v=F0RHN83M